Research A. Levinschi, I. Tentiuc. 2010
The piece represents an eloquent example of early, handmade utilitarian ceramics, characteristic of prehistoric communities in the East Carpathian region.
The vessel has a tall, slightly elongated shape, with a domed body and a relatively wide, slightly flared mouth. The rim is thickened and irregular, indicating manual shaping, without the use of a potter's wheel. On one of the sides, a robust, semicircular handle is preserved, attached below the rim, probably intended for handling or hanging the vessel.
The ceramic paste is coarse, with visible degreaser (sand and mineral particles), suggesting a moderate-temperature firing in an open kiln or firing pit. The color is yellowish-brown, with variations in hue caused by uneven firing.
The decoration is minimal but significant: below the rim there is a belt of vertical impressions, made by pressing with a simple tool or fingers. This motif has both a decorative and functional role, improving the grip during handling. The simple ornamentation is typical of Early Iron Age pottery, where the emphasis is on utility rather than elaborate aesthetics.
The vessel is in a fragmentary state, having been reconstructed from several pieces, with modern additions made of neutral material (plaster), clearly delimited from the original. Cracks and gaps are visible, but do not affect the legibility of the overall shape.
From a functional point of view, the vessel could have been used for storing liquids or grains, or for preparing food. In an archaeological context, such containers may also have ritual value, depending on the place of discovery.
Overall, the piece reflects the technological level, daily practices and sober aesthetic taste of Iron Age communities, constituting an important material witness to prehistoric life in the 2nd millennium BC.
Explore the locations in Ungheni where sculptures representing the cultural heritage of the Middle Prut Valley are located. Click on the pins to discover the works of art.