Subjective sign

“Subjective sign” belongs to a type of plastic expression in which the form does not describe a recognizable object, but functions as a sign open to interpretation. In its archaic sense, the sign is a mark or trace that indicates, without fully explaining. Octavian Romanescu’s work explores precisely this area of ambiguity, in which meaning is not imposed, but is constructed in the dialogue between form and viewer.

The volume is composed of cut and layered surfaces, marked by deliberate ruptures. These discontinuities transform the sculpture into a structure of fragments, suggesting how human perception organizes reality: incomplete, gradual, and interpretive.

A central element of the work is the irregular opening in the body of the form. This functions not as a window or a wound, but as a space of gaze and possible meaning - the place where the viewer's imagination intervenes to complete the form.

Conceptually, the work suggests that meaning should not be imposed through official symbols or declarative monuments. It emerges in the relationship between the individual and form, in the freedom of interpretation that art offers to each viewer.

Initially, the sculpture was located at the intersection of Romană and Decebal streets. Later, following urban planning interventions, the work was relocated to the end of Romane street. This episode marks the beginning of a series of moves of sculptures made within the creative camps in Ungheni, situations that have modified, over time, the relationship between the works and the urban space for which they were conceived.

Such examples are not unique, and the hope is that such arbitrary interventions will cease. Otherwise, we will be forced to ask ourselves whether the resources, effort, and energy invested in these artistic projects have been wasted.

But what do you see in the sculptures of Ungheni?