Cucuteni


RUSU Stefan, Chisinau, Republic of Moldova

2002. Ungheni Sculpture Camp, 2nd edition. Sandstone, metal

Trinity Square of the Martyrs of the Romanian Nation

The dominant form, tall and slender, evokes an archaic pillar – not a human body, but an axis of memory. The sculpture seems to grow from the ground like a vestige of civilization that refuses to disappear.


The curved element at the bottom suggests simultaneously: a wing (spiritual birth), a wave (the flow of time), or a protective hearth. It is the living, organic, feminine side of Cucuteni culture – linked to the earth, fruitfulness, cyclicity.


The surface is not smooth: it preserves traces, cuts, rhythms. These can be read as a prehistoric writing, close to the symbols of Cucuteni ceramics, where the meaning was transmitted through the sign, not through the word. We do not see a face, arms or recognizable details. The Cucuteni culture is not represented as a "man", but as a principle: continuity, balance between vertical (sky) and curved (earth).


The light color and the location among the trees make the sculpture seem like a fragment of solidified light. It does not dominate the space, but listens to it. Cucuteni is not a sculpture with a historical connotation, but a sign of deep memory. It is a form that does not explain the past, but lets it breathe in the present.

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Explore the locations in Ungheni where sculptures representing the cultural heritage of the Middle Prut Valley are located. Click on the pins to discover the works of art.

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