Key

The form of the work does not necessarily reproduce a key. The artist eliminates the functional and preserves the essence: the idea of access, opening, passage. The key does not open a specific door, but a state. The two semicircular segments suggest an incomplete circle – something that has been broken or has not yet closed.

Access is not guaranteed; it involves searching, matching, maturing. The central column connects the earth to the upper part, like an axis of meaning. The key is not horizontal, but vertical – the opening is not outward, but upward/inward.

The surface of the work is rough, deeply cut, bearing the traces of manual work, suggesting that the Key is not new, not polished – it is used, charged with time, like a transmitted object. Placed on the grass, between the trees, the sculpture seems an archaic sign, a symbol of boundary or initiation, which does not belong to the contemporary city, but to an ancient world.

Key is a sculpture about conditional access, about thresholds that open only to those who understand form, patience and direction.